https://www.facebook.com/pages/Barn-Owl/238373636592
Barn Owl has always specialized in devotional darkness, pushing desert rock into previously unexplored, murky territories. V marks a shift in approach for the duo of Jon Porras and Evan Caminiti. The pair augmented their arsenal of guitars and effects with an array of electronics, vastly expanding the album’s sounds and textures. Special attention was given to implied rhythms nestled within dense slow building environments, giving album a rhythmic presence, albeit one that is buried beneath intricate layers. Theirs is a ghostly rhythm, almost beyond reach.
For years, the duo experimented with the idea of doom dub and in some ways have finally realized that vision. In addition to dub, V is informed by musique concrete, library music, and minimal techno. The opener “Void Redux” begins with a spectral synthesizer coming in and out of focus, tracing a skeletal melodic line that is gradually enveloped by deep bass tones and flecks of static hiss. As the song progresses, the band creates a subtle rhythmic interplay between a drum machine and the decay of a delayed guitar, harkening back to the Black Ark. A significant evolution in the way Barn Owl construct their music is exemplified by the track "The Opulent Decline”. Originally a 30-minute improvisation, the final, 17-minute track was composed though editing and augmentation. Throughout the album the timbres and textures of each piece are constantly mutating, fluctuating with an anxious restlessness. For example, on the track “The Long Shadow,” the guitars chime forebodingly before melting into a blur of organ. Porras explains, “It was our goal to harness the fluidity and unpredictability of improvisation within considered arrangements. Special care was taken to convey the ever-changing flow through each piece, a continually shifting set of colors and textures and atmospheres." Stasis is not an option.
Barn Owl recorded V with Phil Manley at LCR in their native San Francisco during the cold and foggy summer of 2012. Working with electronics allowed the duo more freedom to create the album layer by layer, designing each sound and each section individually. Porras and Caminiti utilized the huge timbral range of synthesizers to augment the already massive and vitally physical sounds they have achieved with guitars and effects. V is the most complex and diverse album by Barn Owl to date.
Blood on a Feather (US/DK)
Blood on a Feather is a collaboration between American folksinger and reed organist Sarah Hepburn, and Danish free-form guitarist Mikkel Elzer. This duo travels the borders of spiritual folk music and shadowy, psychedelic drone music spun from veils of haunting vocals, vibrant guitars, and slow-moving tape loops.
Despite the recent formation, Blood on a Feather has been performing alongside artists like In Gowan Ring, Simon Finn, Jozef van Wissem, and Alasdair Roberts, and has worked with American minimalist composer John Levin. Furthermore Hepburn and Elzer are part of such wide-ranging constellations as Shiggajon, Kloster, and Mechanical Bird.
https://www.facebook.com/bloodonafeather
